Jonathan Miller (Artistic Director, cello) studied literature at the University of California at Berkeley. After attending a Pablo Casals master class, he dropped out of school to study the cello. Two years later was accepted as a scholarship student at Juilliard School, and then became a pupil of Bernard Greenhouse. Mr. Miller has performed as soloist with the Hartford Symphony; The Boston Pops; The Cape Ann Symphony, North Shore Philharmonic, Newton Symphony, San Diego Symphony, and the Metropolitan Symphony Orchestra of Boston. Miller won the Jeunesses Musicales auditions, twice toured the US with the New York String Sextet, and appeared as a member of the Fine Arts Quartet. He performed as a featured soloist at the American Cello Congress in the spring of 1990 at the invitation of Rostropovitch, and also a soloist at the 1996 Congress. Miller has over the years collaborated in many chamber music concerts with distinguished musicians including: violinists Renaud Capucon, Eugene Drucker, Hillary Hahn, Daniel Phillips, Gil Shaham and Joel Smirnoff; violists Yuri Bashment, Roberto Diaz, Paul Doktor, James Dunham, and Kim Kashkashian; and pianists Emanuel Ax and Garrick Ohlson. He is a member of the Gramercy Trio, which has twice received glowing reviews in the New York Times for its New York City performances. The Gramercy Trio has recorded for Naxos, Navona, and Newport Classics labels. Miller has recorded the complete Beethoven Sonatas with Randall Hodgkinson for the Centaur label. He performs on the ex-Pagannini-Piatti Goffriller cello which was made in Venice in 1700 and a bow by Boston maker Beniot Rolland.
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Violist Lila Brown is co-founder and artistic director of Music from Salem since 1986. After graduating from the Juilliard School she joined the Boston Symphony. She subsequently left to study with Sandor Vegh and become principal violist of the Camerata Academica in Salzburg under his direction. Ms. Brown then spent seven years as an assistant professor at the Vienna Hochschule, six years as a member of the Ensemble Modern in Frankfurt and since 1997 is professor of viola at the Musikhochschule in Duesseldorf, Germany. Ms. Brown has taught chamber music and viola courses in Sweden, Austria and Germany.
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Born and raised in New York, Tatiana Dimitriades earned her bachelor’s and master’s degrees, and an Artist Diploma, from the Indiana University School of Music, where she was awarded the Performer’s Certificate in recognition of outstanding musical performance. A recipient of the Lili Boulanger Memorial Award, Ms. Dimitriades has also won the Guido Chigi Saracini Prize, and the Mischa Pelz Prize. Ms. Dimitriades joined the BSO in 1987. She teaches at the Boston Conservatory of Music, and is the concertmaster of the New Philharmonia Orchestra. Her solo performances have included a Carnegie Recital Hall appearance sponsored by the Associated Music Teachers of New York and an appearance as soloist in the Mendelssohn Violin Concerto at the Grand Teton Music Festival.
Bayla Keyes studied at Curtis and Yale and was a founding member of the Muir String Quartet. Her recent concert highlights include the Bargemusic series in New York City, solo appearances with the Richmond, Concord, and Ohio Chamber Symphonies, and premieres of concertos by Bernard Hoffer and Richard Festinger. Ms. Keyes teaches at Boston University where she is co-chair of the String Department, and at the Tanglewood and Interlochen Music Festivals. She had recorded for Video Artists International, Ecoclassics, CRI, Musical Heritage, EMI-France and New World Records.
Sharan Leventhal has built an international reputation as a champion of contemporary music. Her more than 100 premieres include works by Schuller, Kraft, Oliveros, and Bainbridge. Her recordings include the entire violin and piano works of Virgil Thomson on the Northeastern Recordings label. Ms. Leventhal has appeared as a soloist with the Boston Pops, the Boston Ballet and the Milwaukee and Vermont Symphonies. She was a founding member of the duo Marimolin, is a member of the Gramercy Trio and has served on the faculty of Michigan State University.
Thomas Martin served as principal clarinet of the Alabama Symphony before joining the BSO in 1984 where he is now Associate Principal Clarinet and Principal Clarinet of the Boston Pops. Mr. Martin performs frequently as a recitalist and chamber musician and has been heard on Morning Pro Musica on WGBH. He has appeared in the Prelude Series at Symphony Hall, and Tanglewood and at Longy School of Music and the Gardner Museum.